Showing posts with label reposts. Show all posts
Showing posts with label reposts. Show all posts

Monday, October 15, 2018

I've Never Won a Game of Astro Bears Party (and that's okay)

Here are my thoughts on knowledge, resilience, and failure after a weekend of video games with my family. 

Wednesday, October 18, 2017

Conflicted thoughts about a presentation that was "Mostly True"

Thoughts on a recent presentation and the current news cycle on today's AISL post.

Wednesday, November 16, 2016

Wednesday, November 18, 2015

Countdown to Thanksgiving

Here's what been going on (hint---it's lots of learning) over in the library.Countdown to Thanksgiving

Thursday, October 22, 2015

Back and forth on research

It's 7:30pm as I plan to leave school, and you can find out how I've been spending my days in the middle school by checking out my most recent post on research in the 21st century: http://aislnews.org/?p=2850

Wednesday, February 25, 2015

Print Reading Preferences by Millenials


This article echoes what I've heard from many students. They like technology for skimming and print for long-form reading, though they don't like long-form reading very much at all because there are so many constraints on their time. Digital Natives Reading Print
February 22
Frank Schembari loves books — printed books. He loves how they smell. He loves scribbling in the margins, underlining interesting sentences, folding a page corner to mark his place.
Schembari is not a retiree who sips tea at Politics and Prose or some other bookstore. He is 20, a junior at American University, and paging through a thick history of Israel between classes, he is evidence of a peculiar irony of the Internet age: Digital natives prefer reading in print.
“I like the feeling of it,” Schembari said, reading under natural light in a campus atrium, his smartphone next to him. “I like holding it. It’s not going off. It’s not making sounds.”
Textbook makers, bookstore owners and college student surveys all say millennials still strongly prefer print for pleasure and learning, a bias that surprises reading experts given the same group’s proclivity to consume most other content digitally. A University of Washington pilot study of digital textbooks found that a quarter of students still bought print versions of e-textbooks that they were given for free.
“These are people who aren’t supposed to remember what it’s like to even smell books,” said Naomi S. Baron, an American University linguist who studies digital communication. “It’s quite astounding.”
Earlier this month, Baron published “Words Onscreen: The Fate of Reading in a Digital World,” a book (hardcover and electronic) that examines university students’ preferences for print and explains the science of why dead-tree versions are often superior to digital. Readers tend to skim on screens, distraction is inevitable and comprehension suffers.
In years of surveys, Baron asked students what they liked least about reading in print. Her favorite response: “It takes me longer because I read more carefully.”
The preference for print over digital can be found at independent bookstores such as the Curious Iguana in downtown Frederick, Md., where owner Marlene England said millennials regularly tell her they prefer print because it’s “easier to follow stories.” Pew studies show the highest print readership rates are among those ages 18 to 29, and the same age group is still using public libraries in large numbers.
It can be seen in the struggle of college textbook makers to shift their businesses to more profitable e-versions. Don Kilburn, North American president for Pearson, the largest publisher in the world and the dominant player in education, said the move to digital “doesn’t look like a revolution right now. It looks like an evolution, and it’s lumpy at best.”
And it can be seen most prominently on college campuses, where students still lug backpacks stuffed with books, even as they increasingly take notes (or check Facebook) on laptops during class. At American, Cooper Nordquist, a junior studying political science, is even willing to schlep around Alexis de Tocqueville’s 900-plus-page “Democracy in America.”
“I can’t imagine reading Tocqueville or understanding him electronically,” Nordquist said in between classes while checking his e-mail. “That would just be awful.”
Without having read Baron’s book, he offered reasons for his print preference that squared with her findings.
The most important one to him is “building a physical map in my mind of where things are.” Researchers say readers remember the location of information simply by page and text layout — that, say, the key piece of dialogue was on that page early in the book with that one long paragraph and a smudge on the corner. Researchers think this plays a key role in comprehension.
But that is more difficult on screens, primarily because the time we devote to reading online is usually spent scanning and skimming, with few places (or little time) for mental markers. Baron cites research showing readers spend a little more than one minute on Web pages, and only 16 percent of people read word-by-word. That behavior can bleed into reading patterns when trying to tackle even lengthier texts on-screen.
“I don’t absorb as much,” one student told Baron. Another said, “It’s harder to keep your place online.”
Another significant problem, especially for college students, is distraction. The lives of millennials are increasingly lived on screens. In her surveys, Baron writes that she found “jaw-dropping” results to the question of whether students were more likely to multitask in hard copy (1 percent) vs. reading on-screen (90 percent).
Earlier this month, while speaking to sophomores about digital behavior, Baron brought up the problem of paying close attention while studying on-screen.
“You just get so distracted,” one student said. “It’s like if I finish a paragraph, I’ll go on Tumblr, and then three hours later you’re still not done with reading.”
There are quirky, possibly lazy reasons many college students prefer print, too: They like renting textbooks that are already highlighted and have notes in the margins.
While Nordquist called this a crapshoot, Wallis Neff, a sophomore studying journalism, said she was delighted to get a psychology textbook last year that had been “run through the mill a few times.”
“It had a bunch of notes and things, explaining what this versus that was,” she said. “It was very useful.”
When do students say they prefer digital?
For science and math classes, whose electronic textbooks often include access to online portals that help walk them through study problems and monitor their learning. Textbook makers are pushing these “digital learning environments” to make screen learning more attractive.
They prefer them for classes in which locating information quickly is key — there is no control-F in a printed book to quickly find key words.
And they prefer them for cost — particularly when the price is free. The Book Industry Study Group recently found that about a quarter of 1,600 students polled either downloaded or knew someone who downloaded pirated textbooks. Students, it turns out, are not as noble in their reading habits when they need beer money. They become knowledge thieves.
But stealing texts probably is more a reflection on the spiraling cost of higher education — and the price of textbooks, up 82 percent from 2002 to 2012 — than some secret desire of students to read digitally. If price weren’t a factor, Baron’s research shows that students overwhelmingly prefer print. Other studies show similar results.
The problem, Baron writes, is that there has been “pedagogical reboot” where faculty and textbook makers are increasingly pushing their students to digital to help defray costs “with little thought for educational consequences.”
“We need to think more carefully about students’ mounting rejection of long-form reading,” Baron writes.
And that thinking shouldn’t be limited to millennials, Baron said. Around the country, school systems are buying millions of tablets and laptops for classroom use, promising easier textbook updates, lower costs, less back strain from heavy book bags, and more interactivity. But the potential downsides aren’t being considered, she said.
“What’s happening in American education today?” she said. “That’s what I’m concerned about. What’s happening to the American mind?”
When Baron started researching her book on reading, some of her colleagues responded with pity.
“Did I fail to understand that technology marches on?” she writes. “That cars supplanted horses and buggies? That printing replaced handwritten manuscripts, computers replaced typewriters and digital screens were replacing books? Hadn’t I read the statistics on how many eReaders and tablets were being sold? Didn’t I see all those people reading eBooks on their mobile devices? Was I simply unable to adapt?”
But after learning what millennials truly think about print, Baron concluded, “I was roundly vindicated.”

Monday, February 9, 2015

Harper Lee - To Set a Watchman - The Plot Thickens

The comments are as telling as the article. It's only a controversy if people care. I think this is making it clear that To Kill a Mockingbird is indeed a "great American novel." 

New York Times Harper Lee Redux

Monday, February 2, 2015

2015 Youth Media Awards

Hot off the press from Chicago! So many books to add to my personal reading list and the library collection. 

Media Awards 2015
John Newbery Medal for the most outstanding contribution to children's literature:
“The Crossover,” written by Kwame Alexander, is the 2015 Newbery Medal winner. The book is published by Houghton Mifflin Harcourt.
Two Newbery Honor Books also were named:
“El Deafo” by Cece Bell, illustrated by Cece Bell and published by Amulet Books, an imprint of ABRAMS.
“Brown Girl Dreaming,” written by Jacqueline Woodson and published by Nancy Paulsen Books, an imprint of Penguin Group (USA) LLC.
Randolph Caldecott Medal for the most distinguished American picture book for children:
“The Adventures of Beekle: The Unimaginary Friend,” illustrated by Dan Santat, is the 2015 Caldecott Medal winner. The book was written by Dan Santat and published by Little, Brown and Company, a division of Hachette Book Group, Inc.
Six Caldecott Honor Books also were named:
“Nana in the City,” illustrated by Lauren Castillo, written by Lauren Castillo and published by Clarion Books, an imprint of Houghton Mifflin Harcourt Publishing Company.
“The Noisy Paint Box: The Colors and Sounds of Kandinsky’s Abstract Art,” illustrated by Mary GrandPré, written by Barb Rosenstock and published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Random House, Inc., New York.
“Sam & Dave Dig a Hole,” illustrated by Jon Klassen, written by Mac Barnett and published by Candlewick Press.
“Viva Frida,” illustrated by Yuyi Morales, written by Yuyi Morales and published by Roaring Brook Press, a Neal Porter Book.
“The Right Word: Roget and His Thesaurus,” illustrated by Melissa Sweet, written by Jen Bryant, and published by Eerdmans Books for Young Readers, an imprint of Wm. B. Eerdmans Publishing Co.
“This One Summer,” illustrated by Jillian Tamaki, written by Mariko Tamaki and published by First Second.
Coretta Scott King (Author) Book Award recognizing an African American author and illustrator of outstanding books for children and young adults: “Brown Girl Dreaming,” written by Jacqueline Woodson, is the King Author Book winner. The book is published by Nancy Paulsen Books, an imprint of Penguin Group (USA) LLC.
Three King Author Honor Books were selected:
Kwame Alexander for “The Crossover,” published by Houghton Mifflin Harcourt Publishing.
Marilyn Nelson for “How I Discovered Poetry,” illustrated by Hadley Hooper and published by Dial Books, an imprint of Penguin Books (USA) LLC.
Kekla Magoon for “How It Went Down,” published by Henry Holt and Company, LLC.
Coretta Scott King (Illustrator) Book Award:
“Firebird,” illustrated by Christopher Myers, is the King Illustrator Book winner. The book was written by Misty Copeland and published by G. P. Putnam’s Sons, an imprint of Penguin Group (USA) LLC.
Two King Illustrator Honor Book were selected:
Christian Robinson for “Josephine: The Dazzling Life of Josephine Baker,” by Patricia Hruby Powell, published by Chronicle Books LLC.
Frank Morrison for “Little Melba and Her Big Trombone,” by Katheryn Russell-Brown, published by Lee and Low Books, Inc.
Coretta Scott King/John Steptoe New Talent Author Award:
“When I Was the Greatest,” written and illustrated by Jason Alexander, is the Steptoe winner. The book is published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division.
Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement:
Deborah D. Taylor is the winner of the Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement. The award pays tribute to the quality and magnitude of beloved children’s author Virginia Hamilton.
Taylor’s career in public service began more than 40 years ago with the Enoch Pratt Free Library in Baltimore, where she is currently coordinator of School and Student Services. Her career has been spent as mentor, educator and literacy advocate for young adults. As an inspiring young adult librarian, leader in national associations and university instructor, she has been distinctly effective in introducing young people and her professional colleagues to the outstanding work of African American authors.
Michael L. Printz Award for excellence in literature written for young adults:
“I’ll Give You the Sun,” written by Jandy Nelson, is the 2015 Printz Award winner. The book is published by Dial Books, an imprint of Penguin Group USA, a Penguin Random House Company.
Four Printz Honor Books also were named:
“And We Stay,” by Jenny Hubbard, and published by Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc., a Penguin Random House Company.
“The Carnival at Bray,” by Jessie Ann Foley, and published by Elephant Rock Books.
“Grasshopper Jungle,” by Andrew Smith, and published by Dutton Books, an imprint of Penguin Group USA, a Penguin Random House Company.
“This One Summer,” by Mariko Tamaki, illustrated by Jillian Tamaki, and published by First Second.
Schneider Family Book Award for books that embody an artistic expression of the disability experience:
“A BOY AND A JAGUAR” written by Alan Rabinowitz, illustrated by Catia Chien and published by Houghton Mifflin Harcourt Publishing Company, wins the award for children ages 0 to 10.
“RAIN REIGN” written by Ann M. Martin and published by A FEIWEL AND FRIENDS BOOK, is the winner of the middle-school (ages 11-13).
The teen (ages 13-18) award winner is “Girls Like Us,” written by Gail Giles and published by Candlewick Press.
Alex Awards for the 10 best adult books that appeal to teen audiences:
“All the Light We Cannot See,” by Anthony Doerr, published by Scribner, a division of Simon & Schuster, Inc.
“Bellweather Rhapsody,” by Kate Racculia, published by Houghton Mifflin Harcourt Publishing Company.
“Bingo’s Run,” by James A. Levine, published by Spiegel & Grau, an imprint of the Random House Publishing Group, a division of Random House LLC, a Penguin Random House Company.
“Confessions,” by Kanae Minato, translated by Stephen Snyder, published by Mulholland Books, an imprint of Little, Brown and Company, a division of Hachette Book Group, Inc.
“Everything I Never Told You,” by Celeste Ng, published by The Penguin Press, a member of Penguin Group LLC, a Penguin Random House Company.
“Lock In,” by John Scalzi, a Tor Book published by Tom Doherty Associates, LLC.
“The Martian,” by Andy Weir, published by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House LLC, a Penguin Random House Company.
“The Terrorist’s Son: A Story of Choice,” by Zak Ebrahim with Jeff Giles, published by TED Books, a division of Simon & Schuster, Inc.
“Those Who Wish Me Dead,” by Michael Koryta, published by Little, Brown and Company, a division of Hachette Book Group, Inc.
“Wolf in White Van,” by John Darnielle, published by Farrar, Straus and Giroux.
Andrew Carnegie Medal for excellence in children's video:
Paul R. Gagne and Melissa Reilly Ellard, Weston Woods Studios, Inc., producers of “Me…Jane,” are the Carnegie Medal winners. This transcendent adaptation of Patrick McDonnell’s 2012 Caldecott Honor draws viewers into the childhood of a young Jane Goodall who, with beloved stuffed chimpanzee, Jubilee, is transformed by what she observes in her own backyard, a “magical world full of joy and wonder.”
Laura Ingalls Wilder Award honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children.
The 2015 winner is Donald Crews, whose award-winning works include “Freight Train,” which was a Caldecott Honor Book in 1979, and “Truck,” a Caldecott Honor Book in 1981. He has been consistently excellent with a wide range of titles, such as “Harbor,” “Parade,” “Shortcut” and “Bigmama’s,” all published by Greenwillow Books.
Margaret A. Edwards Award for lifetime achievement in writing for young adults:
The 2015 winner is Sharon M. Draper, author of more than 20 books, including: “Tears of a Tiger” (1994), “Forged by Fire” (1997), “Darkness Before Dawn” (2001), “Battle of Jericho” (2004), “Copper Sun” (2006), and “November Blues” (2007), all published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing.
2016 May Hill Arbuthnot Honor Lecture Award recognizing an author, critic, librarian, historian or teacher of children's literature, who then presents a lecture at a winning host site.
The 2016 Arbuthnot Lecture will be delivered by Pat Mora. Pioneering author and literacy advocate Pat Mora has written more than three dozen books for young people that represent the Mexican American experience.
Mildred L. Batchelder Award for an outstanding children’s book translated from a foreign language and subsequently published in the United States: “Mikis and the Donkey” is the 2015 Batchelder Award winner. The book was written by Bibi Dumon Tak, illustrated by Philip Hopman, translated by Laura Watkinson, and published by Eerdmans Books for Young Readers, an imprint of Wm. B. Eerdmans Publishing Co.
Two Batchelder Honor Books also were selected:
“Hidden: A Child’s Story of the Holocaust,” published by First Second an imprint of Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership, written by Loic Dauvillier, illustrated by Marc Lizano, color by Greg Salsedo, translated by Alexis Siegel.
“Nine Open Arms,” published by Enchanted Lion Books, written by Benny Lindelauf, illustrated by Dasha Tolstikova, translated by John Nieuwenhuizen.
Odyssey Award for best audiobook produced for children and/or young adults, available in English in the United States:
“H. O. R. S. E. A Game of Basketball and Imagination,” produced by Live Oak Media, is the 2015 Odyssey Award winner. The book is written by Christopher Myers and narrated by Dion Graham and Christopher Myers.
Three Odyssey Honor Recordings also were selected:
“Five, Six, Seven, Nate!” produced by AUDIOWORKS (Children’s) an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc., written by Tim Federle, and narrated by Tim Federle;
“The Scandalous Sisterhood of Prickwillow Place,” produced by Listening Library, an imprint of the Penguin Random House Audio Publishing Group, written by Julie Berry, and narrated by Jayne Entwistle;
“A Snicker of Magic,” produced by Scholastic Audiobooks, written by Natalie Lloyd, and narrated by Cassandra Morris.
Pura Belpré (Illustrator) Award honoring a Latino writer and illustrator whose children's books best portray, affirm and celebrate the Latino cultural experience:
“Viva Frida,” illustrated by Yuyi Morales, is the Belpré Illustrator Award winner. The book was written by Yuyi Morales and published by Roaring Brook Press, a Neal Porter Book.
Three Belpré Illustrator Honor Books were named:
“Little Roja Riding Hood,” illustrated by Susan Guevara, written by Susan Middleton Elya, and published by G. P. Putnam’s Sons, an imprint of Penguin Group (USA) LLC.
“Green Is a Chile Pepper,” illustrated by John Parra, written by Roseanne Greenfield Thong, and published by Chronicle Books LLC. “Separate Is Never Equal: Sylvia Mendez & Her Family’s Fight for Desegregation,” illustrated and written by Duncan Tonatiuh, and published by Abrams Books for Young Readers, an imprint of ABRAMS.
Pura Belpré (Author) Award honoring Latino authors whose work best portrays, affirms and celebrates the Latino cultural experience:
"I Lived on Butterfly Hill" is the 2015 Pura Belpré (Author) Award winner. The book is written by Marjorie Agosín, illustrated by Lee White and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division.
One Belpré Author Honor Book was named:
"Portraits of Hispanic American Heroes," written by Juan Felipe Herrera, illustrated by Raúl Colón and published by Dial Books for Young Readers, an imprint of Penguin Group (USA) LLC.
Robert F. Sibert Informational Book Award for most distinguished informational book for children:
“The Right Word: Roget and His Thesaurus,” written by Jen Bryant, is the Sibert Award winner. The book is published by Eerdmans Books for Young Readers, an imprint of Wm. B. Eerdmans Publishing Co.
Five Sibert Honor Books were named:
“Brown Girl Dreaming,” written by Jacqueline Woodson, and published by Nancy Paulsen Books, an imprint of Penguin Group (USA) LLC.
“The Family Romanov: Murder, Rebellion, & the Fall of Imperial Russia,” written by Candace Fleming, and published by Schwartz & Wade Books, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company.
“Josephine: The Dazzling Life of Josephine Baker,” written by Patricia Hruby Powell, illustrated by Christian Robinson and published by Chronicle Books LLC. “Neighborhood Sharks: Hunting with the Great Whites of California’s Farallon Islands,” written and illustrated by Katherine Roy, and published by David Macaulay Studio, an imprint of Roaring Brook Press.
“Separate Is Never Equal: Sylvia Mendez & Her Family’s Fight for Desegregation,” written and illustrated by Duncan Tonatiuh and published by Abrams Books for Young Readers, an imprint of ABRAMS.
Stonewall Book Award - Mike Morgan & Larry Romans Children’s & Young Adult Literature Award given annually to English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience:
“This Day in June,” written by Gayle E. Pitman, Ph.D., illustrated by Kristyna Litten and published by Magination Press, an imprint of the American Psychological Association, is the winner of the 2015 Stonewall Children’s & Young Adult Literature Award.
Three Honor Books were selected:
“Beyond Magenta: Transgender Teens Speak Out,” by Susan Kuklin, photographed by Susan Kuklin and published by Candlewick Press.
“I’ll give you the sun,” written by Jandy Nelson, published by Dial Books, an imprint of Penguin Group (USA) LLC.
“Morris Micklewhite and the Tangerine Dress,” written by Christine Baldacchio, pictures by Isabelle Malenfant, published by Groundwood Books / House of Anansi Press.
Theodor Seuss Geisel Award for the most distinguished beginning reader book:
“You Are (Not) Small,” written by Anna Kang and illustrated by Christopher Weyant, is the Seuss Award winner. The book is published by Two Lions, New York. Two Geisel Honor Books were named:
“Mr. Putter & Tabby Turn the Page,” written by Cynthia Rylant, illustrated by Arthur Howard, and published by Houghton Mifflin Harcourt Publishing Company.
“Waiting Is Not Easy!” written by Mo Willems, illustrated by Mo Willems, and published by Hyperion Books for Children, an imprint of Disney Book Group.
William C. Morris Award for a debut book published by a first-time author writing for teens:
“Gabi, a Girl in Pieces,” written by Isabel Quintero, is the 2015 Morris Award winner. The book is published by Cinco Puntos Press.
Four other books were finalists for the award:
“The Carnival at Bray” written by Jessie Ann Foley and published by Elephant Rock Books.
“The Story of Owen: Dragon Slayer of Trondheim” written by E.K. Johnston and published by Carolrhoda Lab™, an imprint of Carolrhoda Books, a division of Lerner Publishing Group.
“The Scar Boys” written by Len Vlahos and published by Egmont Publishing.
“The Strange and Beautiful Sorrows of Ava Lavender” written by Leslye Walton and published by Candlewick Press.
YALSA Award for Excellence in Nonfiction for Young Adults:
“Popular: Vintage Wisdom for a Modern Geek,” written by Maya Van Wagenen, is the 2015 Excellence winner. The book is published by Dutton, an imprint of Penguin Young Readers Group.
Four other books were finalists for the award:
“Laughing at My Nightmare” written by Shane Burcaw, and published by Roaring Brook Press, an imprint of Macmillan’s Children’s Publishing Group.
“The Family Romanov: Murder, Rebellion & the Fall of Imperial Russia” written by Candace Fleming, and published by Schwartz & Wade, an imprint of Random House Children’s Books.
“Ida M. Tarbell: The Woman Who Challenged Big Business—and Won!” written by Emily Arnold McCully, and published by Clarion Books, an imprint of Houghton Mifflin Harcourt Books for Young Readers.
“The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights” written by Steve Sheinkin, and published by Roaring Brook Press, an imprint of Macmillan Children’s Publishing Group.

Friday, December 5, 2014

College Napping Room

I just slept by my books in the overnight library (Shoutout to the Hut!) or occasionally by pulling together two cushy chairs and making a little nest. Coats make great pillows and blankets...

Children today are so privileged... :) :) 

Summary: Wake Forest library has created a nap room with recliners and no studying or technology allowed.

https://www.insidehighered.com/news/2014/12/04/wake-forest-u-creates-room-napping-campus-library

Monday, November 17, 2014

"She kind of moved to the West Coast..."

Stephen Kurutz has seen into my soul, kind of. This is particularly pertinent to generalist librarians, since each day brings hundreds of reference questions. There is no way to prepare, and with teenagers you don't want to be caught off guard. A basic knowledge of a subject gives you a gateway and an opening for further discussion. However, there's a benefit to vagueness and it allows you to start a search at the beginning, assuming no knowledge of a subject. Frequency illusion or not, I'm noticing this in my speech pattern every day and working to limit it to times of metaphor, not times when I am hedging my certainty on a subject.
 
The "Kind of, Sort Of" Era

http://www.nytimes.com/2014/11/02/opinion/sunday/the-kind-of-sort-of-era.html?module=Search&mabReward=relbias%3Ar&_r=0


I’VE sort of noticed something about the way we speak, and I wonder if you’ve sort of noticed it, too. Let me kind of explain. It’s about sort of, and its twin, kind of, and how these adverbial downtoners, as the British grammarian Sir Randolph Quirk calls them, have totally, completely, 100 percent taken over casual speech.
Kinda, sorta.
I’m not referring to their use to describe a class of something, such as a sort of mammal, but rather as hedge words, to lessen a statement’s force or meaning. For instance, here’s the University of Cambridge ecologist Peter Walsh speaking recently about Ebola: “What’s nasty about it is it sort of melts your blood vessels.”
And here’s Edward J. Snowden describing his background to Brian Williams of NBC: “I was trained as a spy in sort of the traditional sense of the word.”
And here’s the comedian Amy Poehler explaining how she and Tina Fey divvy up laugh lines: “It kind of figures itself out. We just have to kind of be democratic about it.”
It’s possible I’m experiencing what linguists call the frequency illusion — my brain is primed to recognize the phrases, so I’m hearing them all the time. Or maybe I’ve stumbled into another linguistic pitfall, the recency illusion, thinking that a word or phrase is recent when it has actually existed for a long time. In 1995, William Safire noted in The New York Times Magazine the widespread use of kinda-sorta in the courtroom of the O. J. Simpson trial. And as far back as 1909, the language stickler Ambrose Bierce complained that “Kind of followed by an adjective, as ‘kind of good,’ is almost too gross for censure.”
It may be too gross for censure, but “kind of” and “sort of” have shown staying power over the decades. If you put “sort of” into Google’s Ngram viewer, a database of millions of digitized books, you find steady usage levels through the 1980s and ’90s, and a small uptick starting in 2000. And that’s only written language, not informal speech. For anecdotal proof, listen to NPR for a few hours (though not conservative talk radio, where certainty is more the rule of law).
Gabriel Doyle, who has a Ph.D. in linguistics and writes the blog Motivated Grammar, told me that “sort of”’ is a “de-precision device.” As Dr. Doyle put it: “The speaker is saying, ‘Don’t think of this as being overly accurate.’ ”
In other words, people throw “sort of” into their speech because they’re unsure. Our language is reflecting modern life.
We sort of have stable jobs until our company outsources or downsizes. We can sort of count on Social Security in retirement. We’re sort of done fighting a war in Iraq. It’s my nonscientific theory that “sort of” is, in part, a linguistic manifestation of the indefiniteness we feel, a noncommittal expression for a time of rapid technological change and instability across our social structures.
During our phone conversation, Dr. Doyle peppered his sentences with a lot of “sort ofs,” as in: “My approach on these things is sort of, what are the sort of factors that encourage people to use this?” He was conscious of doing so, and said his “sort of” rate increased when presenting new ideas or speaking to large crowds — say, at a conference.
“You don’t want to be overly confident in these high-stakes arenas,” he said.
In this sense, “sort of” addresses another modern concern, because not a week goes by that someone isn’t publicly embarrassed or shamed over ill-considered words they tweeted or were caught saying on video. Daily conversation has become a high-stakes arena, for celebrities as well as normal citizens.
The awareness that offhand utterances can live forever online and have serious consequences has made for overly cautious speech. So we hear the “Meet the Press” host Chuck Todd say to a reporter that he “sort of laughed” after reading an article on Benghazi in a conservative newspaper. Or Joe Neumaier, a writer for The New York Daily News, who as a film critic is paid to offer sharp opinions about Hollywood, assert about Robin Williams that “you sort of don’t think of him as a sort of character actor.”
Using “sort of” to reduce the risk of making an error or causing offense is a tactic an editor friend calls “strategic softening.” (Note to Alec Baldwin: insert “sort of” in your next tirade and you won’t have to make a public apology.)
As much as it can create rhetorical wiggle room and be a tool for nuanced thinking about a complex world, the “fuzzy kinda-sorta,” as Mr. Safire called it back in 1995, can also make for wishy-washy and obsequious speech that lacks clarity, confidence and authority. Especially when used frequently and to qualify banal utterances and basic facts.
The other day I was listening to NPR and heard Nicolas Retsinas, a Harvard Business School professor, mention that his daughter had “kind of moved back to the East Coast” from Alaska.
I doubt Mr. Retsinas was aware of saying “kind of.” It’s become a verbal tic, a filler phrase. I’ve deployed both “sort of” and “kind of” myself, many times. In this very newspaper, I once described the view from a Detroit rooftop as possessing “a sort of grandeur.” Strunk and White would not approve.
Sometimes I think of epic declarative statements, and wonder how they might be rendered in today’s hedge-speak. “It was sort of the best of times, it was sort of the worst of times.” “I came, I saw, I kind of conquered.” “I sort of have a dream.”
Sound kind of weak? Definitely.
Steven Kurutz is a reporter for the Home section of The New York Times.

Thursday, November 6, 2014

Just Curious...

I read this recently and it resonated with me. Why do people feel ashamed to not know something already? What not ask for help finding whatever it is that piques your curiosity?  I will be trying to model this in my own life when students have questions. And questions they have aplenty....

Just Curious

Posted Monday, October 20, 2014 - 10:55
When a simple phrase is not as innocent as it seems
Joseph Janes
The other day, I was writing yet another email and was rattling off a bunch of stuff, answering questions, asking a few, the way one does. As I wrapped up, I remembered there was something that had been in the back of my mind, so I tossed that in at the end, prefacing it with the innocuous “Y’know, I wondered about such-and-such … nothing important, just curious.”
We’ve all done that a thousand times. On the surface, “just curious” is one of those phrases that doesn’t really mean anything and gets tossed in just to signal that a question isn’t urgent or immediate or that it doesn’t connect to any larger matter. Which is fine on its face and is, in most cases, harmless.
Somehow, though, I started to actually think about what it means and what it really says. (Columnists’ occupational hazard? Signal that it’s time to stop doing email? Likely both.) Peel away a layer or two, and this looks less innocent.
Why “just” curious? Why this dismissive portrayal of curiosity? Isn’t curiosity a good thing? Yes, I know I’m overanalyzing this. But follow me for a minute. This gets stuck into questions and inquiries all the time; you’d hear it at a retail counter, in conversation or a meeting, or in a reference setting, and I think it bespeaks a more subtle phenomenon.
Way back in the Pleistocene era, when I was running the Internet Public Library, we were examining reference questions that had come in through the IPL’s intake form. It asked for the question, of course, along with name and email address, and more substantive things like geographic location and what sources people had already tried. Standard reference-interview practice, and since this was usually a one-shot opportunity to hear from the client, the form was pretty extensive.
After looking at a bunch of submissions, we noticed something: To try to scaffold these queries, to help people better understand their own information needs and us to better respond, we asked another question, on the person’s situation or reason for asking. Not in a challenging way, but to help so that we had some sense of how the response might be used. Some of these were blank, and others—many others—gave us versions of “just curious” and many of those gave the impression that people were sheepish or even embarrassed about being … just curious. As though asking for their rationale made it sound as if the rationale wasn’t good enough or that we wouldn’t take them seriously.
Well. My first response was to rephrase the form text to say “It’s okay to be just curious!” which seemed to help. This episode has stayed with me, and upon reflection, it feels like for many, curiosity is an undervalued, or even belittled commodity.
We are all about curiosity; we’re in the curiosity business. Much, if not all, of what we provide is meant to satisfy curiosity about matters small and large, and indeed itself is the result of the curiosity of authors and creators. Not to mention lots of us got into this field because we’re the curious type too. Guilty as charged.
So here’s my proposal: From here on, in any professional setting, when you hear “just curious,” respond thus: “Isn’t that great? Curiosity is a wonderful thing; let’s find that out together.” Or perhaps something less chirpy; reword as necessary.
Every quarter, I pounce on the first poor soul who says, “This is a stupid question, but.…” That barely gets out before I say, “The only stupid questions are the unasked ones.” (If only that were true … but that’s another story.)
JOSEPH JANES is associate professor and chair of the Information School of the University of Washington in Seattle.

Wednesday, October 15, 2014

PSAT Morning

As I sit here in a math room surrounded by math textbooks, far my my usual haunts, I'm excited for the final half hour of the PSAT. In the meantime, here's the link to my most recent AISL post on library duties in independent schools: http://aislnews.org/?p=1734

Wednesday, October 8, 2014

Libraries in the Digital Age

Oh, Pew Research Center. How do I love thee? Let me count the ways. 

More than any other organization, here's how I started to enjoy perusing through statistical research. There is a lot about how people use information and technology, and it's always presented in a timely, practical way. 

Their most recent survey examines people's perceptions of public libraries from research completed over the last three years. The vitality and viability of libraries is a frequent topic in the library world. Libraries are changing as people can access more and more materials from their homes through their own internet connections. Librarians are buying preselected sets of materials electronically and many are spending less time on tasks like book maintenance and check out. 

You should browse through their slideshow, but here's my takeaway 10 list of items I learned at Public Library Engagement. (Careful readers will note and lament the typo that made it to the final draft.)

-76% of Americans read a book in the last year. The median was five total.

-Half of all Americans own an ereader or a tablet that can host ebooks.

-32% of Americans have read an ebook on their cell phone.

-72% of Americans describe themselves as living in a "library household."

-This one is my favorite about how people use ebooks.

-80% believe that it's important to for libraries to have "librarians to help people find information." (Personally, I must say YAY! Information overload may save our jobs.)

-Among library users, only 16% rent cds while 46% use research databases.

-85% would like libraries to work more with schools. (We're in good hands with Manatee County and have set up several programs to work with our students.)

-This is pretty entertaining too if you look at the categories. 


-Among people who deem libraries important, 51% think that an important quality of the library is a safe, quiet space. 

If you were reading a few weeks ago, LA was also talking about the need for quiet spaces. This goes against a lot of the literature in the school library community, where people are talking about needing tech-enabled collaborative study spaces. This is of personal interest to me because my space is open, so it can only be either loud or quiet. Differentiated spaces and increase online library presence are the wave of the future! 

Thursday, October 2, 2014

Dewey Decimal Manga

Wow, literature is cute! Hiroshima library designs anime mascots for decimal classifications

http://en.rocketnews24.com/2014/09/27/wow-literature-is-cute-hiroshima-library-designs-anime-mascots-for-decimal-classifications/
HL 17
Nowadays, whenever we want to access to the vast wealth of knowledge humanity has amassed, all we have to do check Google, Wikipedia, or the RocketNews24 search box. But long ago, you had to go to a place called a library.
With an Internet search engine you can just type in what you’re looking for, but simply scrawling, say, “history of feudal Japan” on the wall of the library will not only fail to provide you with the information you seek, it’ll probably get you thrown out of the building. Instead, you’ve got to utilize a system of numbers used to organize written works. While the U.S. has the Dewey Decimal and Library of Congress Classifications, Japan has its own framework, called the Nippon Decimal Classification.
For modern youths, though, having to look up books by a numeric code feels extremely cumbersome and inefficient. So how do you get young readers excited about using the Nippon Decimal Classification? By anthropomorphizing it as a team of cute anime characters. , of course!

Located just a few stops south from Hiroshima Station, the Hatsukaichi Municipal Library has created 10 mascots, one for each starting digit of the Nippon Decimal Classification.
▼ 0, General Classification, has an appropriately nondescript appearance.
HL 5
▼ 1, Philosophy, has a pensive look and classical fashion sense.
HL 6
▼ 2, History, is all packed and ready to head out to appease her curiosity about geography, which is also included in her classification.
HL 7
▼ The modern and sophisticated 3, Social Sciences
HL 8
▼ You’ll have to forgive the wild hairstyle of 4, Natural Sciences.
HL 9
▼ 5, Technology and Engineering, also covers such delicate and detailed work as sewing and cooking, which explains the perfect braid in its mascot’s hair.
HL 10
▼ Agriculture is included in 6, Industry and Commerce, so naturally its character is carrying an armload of tasty produce.
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▼ This regal and fashionable lass serves as the poster girl for 7, Arts.
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▼ This shy cat lover could probably use a couple of books from class 8, Language.
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▼ And finally, 9, Literature, looks enthusiastic and right at home in the library.
HL 14
The Hatsukaichi Library has even created a mini manga in which some of the characters make appearances.
▼ 9 shows a couple of students the ropes.
HL 15
You can also spot the characters on placards around the facility, plus on bookmarks the library is handing out.
▼ If you can’t make it to Hiroshima, you can print them out here and make your own.
HL 16
We suppose you could make the criticism that it’s counterproductive using pictures to tempt people to come to the library. The more people who come through the door, though, the more people who have a chance to stumble across a book they wouldn’t have known about otherwise, and with a set of 10 faces so cute, it’s hard not to be cheering for them.

Tuesday, September 30, 2014

Library Featured in the Gauntlet

Thanks to the Saint Stephen's newspaper, The Gauntlet, for featuring information about the new, improved OverDrive service! The MISBO collection is indeed enormous and added several thousand books to the collection on August 1st. If you don't know your Patron ID, email me and I can get it to you immediately.

http://www.ssesgauntlet.org/features/2014/09/26/introducing-overdrive-free-ebook-rental-service-comes-to-media-center/

Monday, July 28, 2014

Fashion Hits and Misses from YA Historical Fiction Book Covers

Part two of the fashion hits and misses from historical fiction, reposted from the Hub. 
I love historical fiction.  The drama, the intrigue and, oh– the fashion.  I just assume all the period details regarding clothing are accurate.  Or I did until my friend Liz shared it was her secret delight to troll the adult fiction section and find anachronistic apparel.  Curious to know how Liz knows all that she does about fashion?  Check out her bio in the first post Fashion Hits and Misses from YA Historical Fiction Book Covers.

Turns out a lot of books from specific dates and locations feature outfits as cover art that either haven’t been invented yet or were way out of fashion.  I was eager to know if these same mistakes were being made in Young Adult historical fiction. After all, how was I to know? Here are some examples of books that got it right and those that got it wrong.
In Mozart's Shadow by Carolyn Meyer
In Mozart’s Shadow by Carolyn Meyer

Hit, sort of – In Mozart’s Shadow: His Sister’s Story (alternate title In Mozart’s Shadow: Nannerl’s Story) by Carolyn Meyer

The novel In Mozart’s Shadow: His Sister’s Story is set in eighteenth-century Europe. Older sister Nannerl remains home in Salzburg, Austria while her brother Mozart travels and performs.  How does the cover art compare?
The idea of the appropriate style of dress is there, but the quality of the fashion is poor and ill-fitting.   This particular dress looks like one you would wear for an “old-timey” photo.  The style of the time was a low-necked gown made from woven silks in elaborate patterns worn over panniers, a cage-like garment which extended the hips at the sides.  The bodice would be tightly fitted over a stiff pair of stays, known by modern terminology as a corset.  The front of the bodice exposed a stomacher, which was a triangle-shaped piece which was elaborately decorated.  Sleeves were normally close-fitting and worn to the elbow with ruffle and lace embellishments.  The skirt was often open in the front to expose the petticoat which was decorated to match.  There were several different types of dress worn at the time, but most did follow the same silhouette as described here. 
irene lewisohn
MMA 1750-1775, Purchase, Irene Lewisohn Bequest, 1959

This Robe à la Française is from the Heilbrunn Timeline of Art History which includes French fashion from 1600–1800 A.D.
Nannerl as a Child, by Peter Anton Lorenzoni, 1763
Nannerl as a Child, by Peter Anton Lorenzoni, 1763

For more appropriate eighteenth-century gowns that might have been worn by Nannerl see Liz’s Pinterest page: Young Ladies Fashions 1756-1781

Miss – My Super Sweet Sixteenth Century by Rachel Harris
My Super Sweet Sixteenth Century by Rachel Harris
My Super Sweet Sixteenth Century by Rachel Harris
My Super Sweet Sixteenth Century by Rachel Harris is set in modern times. With time travel, Cat Crawford ends up in 16th century Italy.  The dress featured on the cover is from the 18th century and continued to thrive as a major force in art into the period of this book.
The dress featured on the cover is from the eighteenth-century and could have been worn by Nannerl in the previous book example.  The sixteenth-century, on the other hand, is known for the silhouette of an inverted triangle found in the bodice above a wide triangle shaped skirt.  The fronts of the bodices were completely flat hiding the curve of the bust.  This silhouette was created by a pair of bodies, also known as stays in the seventeenth and eighteenth centuries and then as a corset from the nineteenth-century to present.  The pair of bodies of this period maintained its flat front by a center busk (a flat piece of wood, metal, bone, or scrimshaw).  The skirts were full and cartridge pleated into a waistband and worn over a form of hoopskirt called a farthingale, which created the large triangle-shape on the bottom.  Skirts were often open at front to expose a decorative underskirt.   Although by description this does sound similar to eighteenth-century dress, in reality they were quite different as can be seen in the image examples.

Portrait of a Woman, mid-16th c. Florence, Italy
Portrait of a Woman, mid-16th c. Florence, Italy
Portrait of a Woman, mid-16th c. Florence, Italy (exact artist unknown, possibly Francesco Salviati and, more plausibly, to Michele di Ridolfo Tosini), MMA, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (32.100.66)
Portrait of Eleanor of Toledo and Her Son, ca. 1545, Agnolo di Cosimo (Il Bronzino), Uffizi Gallery, Florence
Portrait of Eleanor of Toledo and Her Son, ca. 1545, Agnolo di Cosimo (Il Bronzino), Uffizi Gallery, Florence

If you want to learn more about  18th century fashion try:
  • Dress in Eigteenth-Century Europe 1715-1789 by Aileen Ribeiro
Or for a more colonial look:
  • What Clothes Reveal: The Language of Clothing in Colonial and Federal America by Linda Baumgarten
 http://www.yalsa.ala.org/thehub/2014/04/01/fashion-hits-and-misses-from-ya-historical-fiction-book-covers-part-2/

Wednesday, May 14, 2014

Research means...

Here's my most recent AISL post, reviewing a session that I attended last month on preparing students for college-level research. I'd love feedback on the types of research you did in college, your preparedness, and (gulp) whether you used the help of librarians to complete your work. http://aislnews.org/?p=1287


Where do you go first?

Thursday, May 1, 2014

Coldplay hides lyrics in libraries

Coldplay announce lyric sheet treasure hunt for Ghost Stories album

The words to all nine of Ghost Stories' songs have been concealed in haunted tales at libraries around the world  http://gu.com/p/3zndd
Coldplay's Chris Martin
Chris Martin of Coldplay performs at Austin's SXSW festival. Photograph: Tim Mosenfelder/Getty Images
Coldplay have announced an international scavenger hunt for handwritten lyrics from their new album. The words to all nine of Ghost Stories' songs have been concealed in haunted tales at libraries around the world, beginning with a library in Mexico City.
"¡Ándale! ¡Ándale!"Coldplay tweeted yesterday, sending their Mexican fans on a race to the English literature section of the city's Vasconcelos library. There, in a translated copy of Charles Dickens' A Christmas Carol, a lucky scavenger found Chris Martin's lyrics for Ghost Stories' lead single, Magic.
The rest of the eight sets of lyrics are in unnamed cities "across the planet", from national capitals to a a town of less than 100,000 people. One of the envelopes also includes a "golden ticket" – with a flight to see Coldplay perform at London's Royal Albert Hall on 1 July. Hopefully it's not just hidden in Birmingham.
Martin discussed Ghost Stories on BBC Radio 1 on Monday night, admitting to Zane Lowe that this sixth album was heavily influenced by his split with Gwyneth Paltrow. "I think everyone in their life goes through challenges, whether it's love or money, kids, or illness," he said. "You have to really not run away from that stuff."
Martin also revealed that he blames himself for the dissolution of their marriage. "About two years ago I was a mess, really, because I [couldn't] enjoy the things that we [were] good at and I [couldn't] enjoy the great things around me because I [was so] burdened by this," he said. "[I thought] I've got to not blame anyone else and make some changes."
Martin and Paltrow, who share a nine-year-old daughter and an eight-year-old son, initially described their separation s a "conscious uncoupling". "It's not a question of you either really love someone or you really hate someone," Martin said. "Especially with the modern world's complications - like travelling and all the stuff that comes to life, and illness and addiction and all that sort of thing."

Thursday, April 3, 2014

Why is Florida always in the news for the wrong reasons?


PORT ORANGE, Fla. —
“She had a pretty good-sized wound on the back of her head,” said Volusia County spokesperson Dave Byron.
County officials placed numerous signs outside the library warning people about the aggressive birds.
Hawks attack library guests  photo
Residents in Port Orange said red-shouldered hawks have become a big nuisance at the city’s library.
Workers at the library told Channel 9’s Julie Salomone they’re stocking up on umbrellas for guests to use as protection against the hawks.
County officials said a nearby nest has made the hawks more protective.
“Luckily I ducked right before it got to me, and it flew over my head and onto the top of the building,” said library guest Don Cornejo.
The family of hawks lives in a tree next to the building and there are at least two babies in the nest.
Hawk warning sign
The adult birds fly to the ground and attack people as they approach the library, according to library workers and guests.
The county is urging visitors to always use umbrellas as they walk to and from the library after several reports of the birds getting too close and injuring people.
The county shared a picture with Salomone, showing where one woman was scratched on the head by the birds.
Florida Fish and Wildlife officials said the hawks are protected and in some cases officials will come out and remove the nests, but not in this case.
The red-shouldered hawk is one of the most common hawks in the state.
County officials said the birds should be less aggressive in about three weeks, once the baby hawks are out of the nest.
From the Daytona Beach News Journal